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Hakutulos 1
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Hakutulos 2
“…This underpayment results in underemployment of journalists and other news employees, as well as host of social ills associated with local news deserts, including less competent local governments, greater spread of partisanship and misinformation, removal of economic stimulus to local economies, and a reduction in the diversity of viewpoints, particularly among minority populations. …”
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Hakutulos 3
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Hakutulos 4
“…. -- The study was commissioned by GESAC and prepared by journalist and renowned music sector expert Emmanuel Legrand, who conducted an extensive market analysis based on existing economic studies, market research, as well as interviews and direct contacts with a wide range of music sector professionals, online music services, creators, and music-tech businesses…”
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Hakutulos 5
“…There are numerous benefits stemming from the use of AI in the newsroom – from expanding news coverage, through faster content production, all the way to leaving journalists more time for the more ‘creative’ and investigative tasks where the algorithm remains weak. …”
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Hakutulos 6
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“…Cendali and Shanti Sadtler Conway); 3.2 Gorgeous Photograph, Limited Copyright (Essay by Justin Hughes); 3.3 Copyright Concerns for Visual Journalists (Essay by Mickey H. Osterreicher); 3.4 Social Media: Use It and Lose It? …”
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Hakutulos 7
“…In the examination required under Sec. 32(1), third sentence, and Sec. 32a(1), first sentence, of the Copyright Act of whether the remuneration agreed upon between a photo agency and a freelance photographer for the grant of rights of use and exploitation in images is equitable, the joint remuneration regulations for full-time freelance journalists working for daily newspapers and the collective agreement for employee-like freelance journalists with daily newspapers of 24 November 2008 can be considered as evidence due to a sufficiently comparable arrangement of interests, even if their temporal or personal scope of application is not given, if the photo agency, within the framework of the concrete contractual relationship, functions primarily in the style of an outsourced photo-editorial department of a publishing company. …”
Artikkeli
2021
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Hakutulos 8
“…The empirical material consists of tweets posted by 10 Norwegian politicians and 10 journalists, selected on their level of activity on Twitter. The tweets are analysed with the emphasis on the frequency and content of the hashtags, and the methodological design is comparative between the journalists and the politicians. …”
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Hakutulos 9
“…Chapter 3 then provides an overview of the current European standards and policies on accuracy, objectivity and fairness in news and current affairs, including in respect of Council of Europe bodies such as the Committee of Ministers and the Parliamentary Assembly, as well as other international bodies and media and journalist organisations. Following these opening chapters, Part 2 contains eleven country reports (Chapters 4-14) from a selection of Council of Europe member states. …”
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Hakutulos 10
“…Confidentality of journalists× sources in Singapore: silence is not golden…”
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Hakutulos 11
“…In "The Age of Cryptocurrency," Wall Street journalists Paul Vigna and Michael J. Casey deliver the definitive answer to this question. …”
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Hakutulos 12
Sisällysluettelo:
“…Conflict and Post-Conflict in the Field -- Samiksha Koirala: Experiences of Female Journalists in Post-Conflict Nepal -- Henry Caballero Fula: Intercultural Indigenous Communication of the Indigenous Communities of Cauca in the Context of the Armed Conflict -- Roy Krøvel: Global and Local Journalism and the Norwegian Collective Imagination of "Post-Conflict" Colombia -- Elsebeth Frey: Improving Post-Conflict Journalism through Three Dances of Trauma Studies -- Anne Hege: Simonsen Moving Forward, Holding On. …”
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Hakutulos 13
“…No copyright in ringtones of political speech, rules Uganda court Ssebagala v MTN (U) Ltd & Another, High Court of Uganda (2015) UGCOMMC 42, 6 March 2015 The High Court of Uganda has held that a politician who responds to journalists questions in an interview does not become an author of the audio-visual recording in which his image and voice were captured and, if such audio-visual recording is converted into sound recordings and used as ringtones or caller tunes, such politician does not have any copyright in the ringtones…”
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Hakutulos 14
“…Topics Covered: Advertising Democracy Online Participatory Culture Social Media Surveillance Theory Video Sharing Table of Contents Chapter 1 YouTubes Importance and How the Internet Shapes the YouTube Experience ................... 1 THEMES AND PROPOSITIONS........1 THE PROPOSITIONS...............2 HISTORY OF THE INTERNET........3 FEAR AND LOATHING IN THE DIGITAL SPHERE ................6 INTERNET TECHNOLOGY AND TERMS: A PRIMER..................8 CONCLUSION........21 Chapter 2 Making and Sharing YouTube Videos, History, and YouTube Economics and Advertising: The Promise of a Better World......... 26 INTRODUCTION ........26 THE RISE OF VIDEO SHARING........................................................27 SOCIAL NETWORKING HISTORY AND PRIOR YOUTUBE RESEARCH.......28 YOUTUBES BRIEF HISTORY IN TIME: KEY MOMENTS ..........36 FUNCTIONALITY OF YOUTUBE ..........................38 YOUTUBE ECONOMICS ......40 YOUTUBE AND ADVERTISING ............41 YOUTUBES VERTICALLY INTEGRATED CONTENT CREATION: HOW TO MAKE A YOUTUBE VIDEO...47 FUTURE TRENDS AND CONCLUSION .....................................56 Chapter 3 Medium Theory, Cultural Studies, and Other Ways of Seeing YouTube ....... 63 INTRODUCTION ................63 YOUTUBE AND MEDIUM THEORISTS..........65 YOUTUBE AND CULTURAL STUDIES.............81 YOUTUBE AND THE USES AND GRATIFICATIONS (UG) RESEARCH FRAMEWORK...........88 FUTURE TRENDS AND CONCLUSION ...............................91 Chapter 4 YouTube Politics............... 97 INTRODUCTION .........97 BEING POLITICAL.........98 YOUTUBE IN 2005 .....101 YOUTUBE IN 2008 ..............102 YOUTUBE FEATURED VIDEOS PAGE ..............................104 YOUTUBE AND INTERNATIONAL POLITICS ........................105 LOCAL POLITICS........107 YOUTUBE USER COMMENTS ON SELECTED ARAB SPRING UGC .......112 YOUTUBERS COMMENTS: DISCUSSION ..............124 FUTURE TRENDS AND CONCLUSION ...........................125 Chapter 5 The Filmed Wars: New Audience Frontiers and Invisible Boundaries....130 THE FILMED WAR AND BEING SOCIAL WITH OLD MEDIA......131 FRAMING IN TELEVISION NEWS WAR REPORTING............132 OBJECTIVITY IN TELEVISION NEWS WAR REPORTING........133 BUDDHIST MONK SELF-IMMOLATION VIDEO AVAILABLE ON YOUTUBE ..134 IDEOLOGY IN TELEVISION NEWS WAR REPORTING...............136 NEW TELEVISION TECHNOLOGY AND WAR REPORTING.......142 TECHNOLOGY AND THE PERSIAN GULF AND IRAQ WARS ....143 THE IRAQ WAR AND THE EMBEDDED JOURNALIST ..............145 FUTURE TRENDS AND CONCLUSION .....................................147 Chapter 6 YouTube: Surveillance, Power, Audience, and Monetizing the Message.. 151 INTRODUCTION ...............152 AUDIENCE THEORY AND AUDIENCE COMMODIFICATION ......152 SURVEILLANCE...........157 POWER...........159 POWER AND MICHEL FOUCAULT................161 MONETIZING THE MESSAGE .............................164 THE NEW YOUTUBE.......165 THE BROADCAST TELEVISION ADVERTISING MODEL IN YOUTUBE.....................166 WHATS HAPPENING IN YOUTUBE MONETIZATION TODAY?...…”
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Hakutulos 15
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Hakutulos 16
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Hakutulos 17
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Hakutulos 18
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Hakutulos 19
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Hakutulos 20
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